Friday, November 11, 2011

Race Shirt retro website

I recently did some work with Paperplane, who are a web design company. They were doing a full new site for a company called Raceshirt Retro who sell merchendice from race teams from the 70s/80s. The job needed me to shoot around 30 shirts front, back and inside and then using photoshop to give them a transparent mannequin effect. 


First page of the finished layout for the website. 
The shirt and picture in the masthead change every few seconds


I did many test shoots in normal conditions before hand as we had a few different ideas about how the front page would look.

We then did the shirts one by one in the studio which took a long time. After that we had to cut the front and backs off the white background so they could be used with any backgrounds. To create the invisble mannequin effect we shot the shirts inside out with the necks out so we could use the label to give the look of depth. This then made the shirt look just like it was being worn by something completely see through. 


Original image of the T-shirt

Cutting the shirt off the white background. Including the neck area. 


Cutting the neck area to fill from the inside out photo to fill the gap in the previous image.
Putting the neck cutout behind the front version. This is where you need to get the angle right and also add some black shadow between the two layers to give it the effect of depth.

Finished product ready use as images on websites or advertising.  The whole process takes at least 30 minutes done carefully so doing a whole stock load was quite a lot of work. The final result was worth it though as they look good ob the pages and you can also zoom into them on the individual product pages. 



After the launch of the website, they also opened a shop in Derby city centre selling among other things the shirts I photographed. 

American Aprrel shoot

I have done a photoshoot in the style of American apparel and the photographers who work for them. The most striking thing about their advertising it that the actual photographs are usually set in everyday places. Somestimes in the photographers or models own home. This leads to most of them using mostly just natural light from the setting they are in. This is why windows are often quite a common feature in works like this.


I did some in the sutido first. Overall I am quite happy with them but I should of managed my time better and done a full day with more clothes and different set ups. I wanted these images to be very simple so I used little to no pros and only basic lighting. One thing I did wish I had was an external flashgun to mount on the camera its self. This technique is often seen in this area of photography where there is a strong shadow behind the model. I aim to use this further in the future.


Here I used the white box as a prop to try something different rather than just have her stand up straight. This makes her body more interesting and engaging.


Here is an actual American apparel photo where they too have used one simple prop to change how the model is in front of the camera. It is instantly more interesting that just simple being stood up straight





This image has the right mix of showing the product as well as the slight sexual implications. The product is in full view but it may not actually be that that would grab your attention first. There is plenty of space on the left for a logo and product info. 
Another real advert where the product is in full view but there is a sexual hint. 


My favourite shot from all the ones in the studio was this one. Funnily it was the only one which seems to be a mix of both styles. Studio and informal. I like how all the studio equipment has been silhouetted against the well exposed white area. I think this too would make a good advert.





I then did some at home in am more informal setting. Comparing it to the image below there are a to of similarities. The obvious difference is the lighting. Mine was using all natural light and shadow whereas below they seem to have used a strong direct flash. I like both ways personally and this is why I need to try shooting like this again using a flash gun. 






I wanted an image with lots of space and natural light so I changed to this room. I also wanted one lark source of colour and interest which is why I chose the bear. The bare legs lead up to the shirt which would be the product which would be described next to it. There is just enough showing for it to be obvious. I think it is similar to the image below. The type of light, simple pose and colourful object are all matching. 




Terry Richardson



Terry Richardson is an American photographer. His pictures usually feature women and a good portion are of a sexual nature. With his commercial work he has worked with brands such as Gucci, Nike, Levi's and Mercedes to name a few.

French Vogue

He often shoots and publishes a lot of personal works which I find are just as good on his websites and blogs. These are usually more casual behind the scenes type of photos with his friends and celebs. Here he often uses a plain simple white background with a very strong flash. Literally hundred of these as well as ones taken at public events end up on his personal

His rise to fame with the younger generation was helped by the likes of American Apparel and Vice magazine as his style fits hand in hands with theirs. He has produced over 10 photo books so far and worked with a wide range of famous models and celebrities from rappers to President Obama.

President Obama


He inspires my work as he shows how it is possible to bridge the gap between commercial photography and edgy fashion and everyday photography.


Nike advertisement work


Lindsay Lohan

Sisley advertisement